Brian House (he/him) is an artist who investigates the rhythms of human and nonhuman systems. Through sound, subversive technology, and multidisciplinary research, he makes our interdependencies audible in order to imagine new political realities. His current project, Macrophones, explores atmospheric infrasound as a means of listening to the climate crisis.
House is a Creative Capital awardee and has exhibited at MoMA, Los Angeles MOCA, Ars Electronica, ZKM Center for Art and Media, Transmediale, Beall Center for Art + Technology, Cincinnati Contemporary Arts Center, Stockholm Kulturhust, Science Gallery Bangalore, Tshimologong Precinct, Issue Project Room, Eyebeam, and Brooklyn Botanic Garden, among other venues. The New York Times Magazine, WIRED, The Guardian, and TIME’s annual “Best Inventions” issue have featured his work, and his research has been published in Leonardo, Journal of Sonic Studies, Media Art Study and Theory, and e-flux Architecture.
House holds a PhD in computer music from Brown University and was Associate Scholar at Columbia University’s Center for Spatial Research. He is currently Assistant Professor of Art at Amherst College.
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